Chris Isaak November 30, 2013
Chris Isaak
at Cerritos: A Full Measure of Music and Charm
By Glen Creason
A packed, multi-generational house greeted Chris Isaak on
Saturday night at the Performing Arts Center and the energy in the big hall was
almost as electric as the great sounds that rocked from the stage for a long,
happy time. The evening was opened by big brother Nick who was pert near good
enough to headline anywhere but when Chris brought out his superb five man
“Silvertones” band the voltage surged to a sweet and joyful level that
continued for two extraordinary hours of sounds that encompassed musical decades and several genres without a performer's seam showing.
Isaak is a master entertainer who can make his Gibson guitar work miracles within the structure of the band and an encyclopedic knowledge of country, pop and blues music that comprises this high-voltage show. He is capable of singing a ballad to make your tear ducts moisten, then demonstrates his impeccable taste in country roots with Roy Orbison strength notes that reach the back row of the balcony. Yet, what makes Chris Isaak unique in pop music
is his incredibly quick wit that connects the obviously joyful musicians to the
audience in a self-effacing but hilarious way. The man is an absolute grand
master of between songs patter. This band is so good that any of the tall tales Isaak
tells on them are taken with honest laughter that spreads throughout the hall.
The platform that guitarist Hershel Yatovitz, bassist Rowly Salley, keyboardist
Scott Plunkett, drummers Kenny Dale Johnson and Rafael Padilla provide for the
front man lifts him and the music up very high. Fortunately for the big crowd
Chris Isaak likes the rarified air up there and sings and plays at the highest
level through a couple of dozen songs that cross many a musical style and pay tribute
to some of the greats of American Pop.
These would include Isaak's own smashes like “Speak of the Devil,” “San
Francisco Days, “ “Somebody’s Crying,” “Wicked Game,” “Two Hearts,” “Big Wide
Wonderful World,” the bittersweet “Washington Square” and the delicious “Baby
Did a Bad Bad Thing.” All of this was mixed in with the classics from the
heroes of his youth “Only the Lonely,” “Ring of Fire,” “Fools Rush In,” “Pretty
Woman,” and “Great Balls of Fire” that would make Orbison, Cash, Elvis, and the
Killer proud.
Just to place an ornament on top of this
early holiday show Chris Isaak spread presents from his Christmas album
including “Blue Christmas,” “Rudolph…,” “Christmas on TV” and the delicately
perfect “Pretty Paper.” Truthfully, the only people having more fun than the
utterly delighted sold-out house were the guys up on stage who bounced around
like kids on Christmas morning.
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