Pride and Prejudice January 25, 2013
Cerritos Finds Pride and Prejudice
By Glen Creason
After drifting in the great ocean of utter
nonsense that is popular media it was wonderful to find a dry and enchanting
land of live-theater culture at the sold-out Cerritos Center for the Performing
Arts over the weekend. This fine terra firma was brought to us by LA Theater
Works in the form of the merely two hundred year old “Pride and Prejudice” by
Jane Austen. On this two century anniversary the esteemed LA group distilled
the essence of the novel into ninety riveting minutes without many bells and
whistles but plenty of acting and staging talent. With no props or backdrops save an
ever-clever changing curtain and seven microphones this production was thought
provoking, energetic and deeply romantic. All this was done with a versatile
cast that played multiple roles without a misstep. The lessons of the great book shine through via
the skill of the director and cast to bring Austen’s words into complete focus
without a speck of dust on a single sentence.
Since pride and prejudice still plague mankind, the demonstration of how
both can be defeated by love and understanding still rings as true in Cerritos
in 2013 as they did in Britain in 1813.
With so much to admire but so little space
I find it hard to limit the praise to six players but as the show was excellent
overall, these half dozen were superior parts that made the whole perfectly
wonderful. The all important roles of Elizabeth Bennet and Mr. Darcy were
expertly done by Julia McIlvaine and Nick Toren who never allowed these central
characters to go over the top or become caricatures of the haughty rich nobleman
and the skeptical young beauty. Darren Richardson had the difficult task of
three roles: the go-between Mr. Bingley, the oozing villainous cad Mr. Wickham
and the feckless relation Mr. Collins which he managed to accomplish with
nuanced flair. Jane Carr as the meddlesome
Mom Mrs. Bennet and grand dame Lady Catherine deBourgh made both memorable and brightened
everyone on stage with her performance.
The highly important narrator in this superb adaption by Cristina Calvit
was Diane Adair who made the story shine and played two roles to boot. Still, the
juicy role of Miss Caroline Bingley was brilliantly done by Cerris Morgan-Moyer
who absolutely lit up the stage every time she spouted her characters delicious
vitriol.
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