Mary Chapin Carpenter with Tifft Merritt October 12, 2014
Mary Chapin
Carpenter at Cerritos: a rare privilege
By Glen Creason
For at least the last twenty-five years
Mary Chapin Carpenter has been one of America’s greatest singer-songwriters but
has never gotten the acclaim she deserves in my opinion. As the years go by she
keeps making excellent records comprised of very personal and memorable songs
without too much fanfare. Just having
her at Cerritos was a coup for the Center but the show she put on made them all
look better than good. In a long and satisfying Sunday evening performance she
sang touching ballads, made witty banter and got the packed house up on its
feet for a heartfelt standing ovation at the conclusion of her encore of “I
Feel Lucky” which described all of us in attendance.
At this show she opted to lean toward the
introspective which was fine with most of the house who often had to dab at
their eyes in beauties like “Why Walk When You Can Fly,” “This Shirt,” “Rhythm
of the Blues” and the truly magnificent “Only a Dream” which seems to have been
written to my own brother. Like the seasoned pro that she is there were
up-tempo breaks like “Stones in the Road,” “Take My Chances” and a hard rocking
“Hard Way” lead by the powerhouse guitar of John Doyle. Still, there were
exceptional moments that demonstrated how Ms. Chapin Carpenter rises above good
to great. Few artists can announce a new
song and win the crowd but her “Hand on My Back” received standing ovations and
the story and song of “John Doe #24” had Kleenex pulled all over the house. Despite the large hall, there was an intimacy
that was palpable and expressed in little gems like “Transcendental Reunion”
and “I Have a Need for Solitude” that just made the center sweetly cozy.
The show was opened by one of music’s
best kept secrets, the amazing singer-songwriter Tifft Merritt who in an economical
half hour gave those new to her great talents something to think about. Songs
like “Feel of the World,” “Feeling of Beauty” and the achingly beautiful
“Travelling Alone” showed the power of her gifts. Her covers of Joni Mitchell’s
“For Free” and Tom Waits “Train Song” never sounded better by anybody, even the
originals.